Abstract
Abstract This essay reflects on the impulses, aspirations, and process of an online art criticism series called Black One Shot, which ran in 2018 and 2020 on ASAP/J, the open access journal for the Association for the Study of Arts of the Present (ASAP). Sourcing visual and epistolary materials from the series’ production, the coeditors revisit their collaborative effort to discern blackness and pursue object-forward art criticism without foreclosures and guarantees.
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