Abstract

This paper proffers an Afromodern analysis of black liberation, embodied in the Black Lives Matter movement. In doing so, it revisits the historical concept of barbarism as a critical modality for human silencing, in order to make sense of anti-black racism in our extant social order and its re-articulation through systematic discourses of black criminality. The essay explores two dialectically opposing modernities as having differentiated effects on the construction of the human being. Euromodernity barbarizes the black subject as a carceral being, absent political speech. Afromodernity, contrastingly, fashions the black subject as a communicative being endowed with political speech and as such, black politics becomes not a relic of barbarism, but in lieu, embodies a modern re-enactment of political society. The paper concludes that Black Lives Matter functions as an Afromodern displacement of Euromodern anti-black racism by contesting American democracy as a carceral apparatus to ensure a democratic revolution.

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