Abstract

In the poem “ca’line’s prayer,” Lucille Clift on marks the progression of Black generational memory through the metaphor of drought. The poem’s 1969 publication coincided with one of the worst droughts in modern history. Across the West African Sahel late rains and the onset of famine led to widespread death and displacement. Starting from this conjunctural moment in the late 1960s and using Clifton’s provocation about the “Blackness” of drought, this article contemplates representations of arid environments in African and Afro-diasporic texts. I consider various imaginings of arid spaces, presented simultaneously as wasteland and homeland. Surveying critical scholarship on the Sahelian drought, I interrogate the contested meanings of Black life and death in deserts. I also consider the contemporary resonances of these themes, engaging African eco-critical and Afro/African futurists texts. I show how these portrayals of actual and imagined deserts reveal alternate modes of encounter forged through Black/African ecological thought.

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