Abstract
Previous articleNext article No AccessBlack Art, Folk Art, and Social ControlEugene W. MetcalfEugene W. Metcalf Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Winterthur Portfolio Volume 18, Number 4Winter, 1983 Published for the Henry Francis du Pont Winterthur Museum, Inc. Article DOIhttps://doi.org/10.1086/496153 Views: 83Total views on this site Citations: 4Citations are reported from Crossref Copyright 1983 The Henry Francis du Pont Winterthur MuseumPDF download Crossref reports the following articles citing this article:Karin E. Peterson, Leisa Rundquist Valorizing Gee's Bend Quilts, (Aug 2020): 435–457.https://doi.org/10.1002/9781118768730.ch23John Ott Battle Station MoMA: Jacob Lawrence and the Desegregation of the Armed Forces and the Art World, American Art 29, no.33 (Dec 2015): 58–89.https://doi.org/10.1086/684920John Ott Patrons, Collectors, and Markets, (Jan 2015): 525–543.https://doi.org/10.1002/9781118542644.ch30Mary Ann Calo “Seeing” the Harlem Renaissance: Observations on the Position of Visual Art in Harlem Renaissance Studies, Prospects 27 (Jul 2009): 427–445.https://doi.org/10.1017/S0361233300001277
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