Abstract

Abstract This book explores the relations between literature and biography in France by tracing their history since the emergence of the two terms during the 18th century. This is when term ‘biographie’ first saw the light of day in the French language, and the word ‘littérature’ began to acquire its modern sense of writing marked by an aesthetic character. Arguing that the ‘idea of literature’ is inherently open to revision and contestation, the book examines the way in which biographically orientated texts have been engaged in turning literature into a question about its own definition. At the same time, it tracks the evolving forms of biographical writing in French culture, and proposes a reappraisal of biography that takes account not only of its forms, but also of its functions. The capacity of biography to intervene in debates about definitions of the literary argues for the need to consider this functional dimension of biographical writing. Although the study has important theoretical implications as regards both biography and the literary, it is intended first and foremost as a history, offering an account of the development of French literature through a dual focus on the question of literature and its relations with biography, and tracing the changing ideas about literature and chronicling the different forms taken by biography in the period. It includes readings of major authors and texts in the light of these concerns, from Rousseau to the ‘life-writing’ of contemporary authors such as Michon and Roubaud. Other authors discussed include Mme de Staël, Victor Hugo, Sainte-Beuve, Barbey d'Aurevilly, Baudelaire, Nerval, Mallarmé, Schwob, Proust, Gide, Leiris, Sartre, Genet, Barthes, and Laporte.

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