Abstract
Robert Bearman’s book Shakespeare’s Money (2016) can be considered the first economic biography of William Shakespeare; but it is also the latest specimen of an innovative trend in Shakespeare biography which has come to the fore over the last ten years or so. While the vein of cradle-to-grave biographies seems to be exhausted, new attention is being devoted to parts of Shakespeare’s life, with an attitude that has been seen as ‘microhistorical’ or ‘disintegrationist’. The article will discuss this new kind of sensitivity to biography in general and Shakespeare biography in particular. It starts out by addressing certain developments in the theory and practice of life writing during the second half of the twentieth century, which are today becoming ever more substantial; it then examines the progress of Shakespeare biographies and, in particular, how the issue of money has been tackled since Nicolas Rowe first dealt with it.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
