Abstract
While scholars have long assumed that success came to bestselling novelist Dinah Craik with the publication of John Halifax, Gentleman in 1856, this article uses new archival evidence to show that the watershed moment of her career was actually the publication of a lesser-known novel, Mistress and Maid (1862), in serial form on both sides of the Atlantic. Craik developed a long and lucrative relationship with one of the new illustrated family magazines, Good Words, in Great Britain, and with Harper’s Magazine in the United States. The emphasis of Mistress and Maid underwent a subtle thematic shift in these two national contexts, foregrounding the Christian value of women’s labor in Good Words and the significance of class-based aspirations in Harper’s.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
