Abstract

This research article compares the metalworking technique of Bidriware in the Indian subcontinent from the 17th to 19th century with that of the Mosul School of Mesopotamia in Iraq during the 13th century. Although the literature contains vague accounts of how Bidriware emerged in India, there is a significant lack of research highlighting its similarity to and potential origin from the Mosul School of metalwork art. Texts on Bidriware and the Mosul School are used alongside images of diverse works of art from reputable world museums in an attempt to make this initial connection. The paper highlights how political exchange from the 12th and 13th centuries onwards between Mesopotamia and the Indian subcontinent led to the passage of many motifs, rituals and cultural elements that can clearly be seen in the production of Bidriware centuries later.

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