Abstract

Young people, in the age of puberty and early adolescence, are in need of images and narratives as role models to mirror their actual thoughts and feelings, and to stimulate the development of their (tradition(s)-related) life orientation. The development of a life orientation we see as a religiously or secularly founded process of identity construction—a work-in-progress; a process of ‘learning by doing’. This is described in Part I of this contribution. As Jacob Moreno, the founder of psychodrama stated: ‘Thinking is in the action’. ‘Doing’—being actively involved in a situation—is the defining characteristic of key persons and key objects in narratives. This is in line with John Dewey’s view that the activity new perspectives are created; learning by doing. In bibliodrama, making use of psychodrama techniques, connections are established between narratives from traditional (religious or secular) worldviews—but also from myths and fairy tales—and young people’s individual life experiences. Seemingly without effort and as child’s play, bibliodrama creates an encounter between the here-and-now and the once-and-then of narratives of long ago. The theoretical framework of this practice and the methods of bibliodrama are described in Part II. In Part III we present an example of bibliodrama performed with 18–20-year-old students of the Odisee Hogeschool (Odisee University of Applied Sciences) of Brussels (Belgium). We conclude our contribution with a few preliminary conclusions, a discussion and recommendations for the practice of bibliodrama in education to familiarise students with (religious and secular) life orientations traditions, in order to facilitate the construction of their own authentic life orientation.

Highlights

  • Young people, in the age of puberty and early adolescence, are in need of images and narratives as role models to mirror their actual thoughts and feelings, and to stimulate the development of their (tradition(s)-related) life orientation

  • In the example given below, the bibliodrama session starts with offering a story to the participants, followed by an invitation to open up to the narrative and letting themselves be touched by it, and to reflect on why it has that effect and what the possible relation is with their own life story

  • In the session described below, the narrative of ‘River and Sand’ (This specific story is part of the literary treasure of the Sufi tradition, a spiritual ‘school’ within North African Islam.) takes centre-stage, with its thematic content related to aspects that come to the fore in the identity development processes of young people

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Summary

Communicating with the Multivoiced Self

The development of a life orientation is ‘an existential positioning process pertaining to the meaning of the human being, the world and the meta-empirical, directed towards the horizon of the good life’ [1] (p. 45). Life orientation as an identity construction can be approached in different ways. In this contribution we will go deeper into the concept of ‘identity’ as a dynamic process. The telling and retelling of experiences changes the narration itself; on the other hand, it transforms the related feelings, contributing to the process of (religious) identity construction. The construction of a young person’s ‘puzzle’ becomes clearly visible in an activated (un)conscious comparison with others This comparison process consists of listening, exploring, questioning, accepting and respecting, copying, recognising, rephrasing, distinguishing, conflicting and hyphenating—aspects elaborated upon by Marcia [6] in his description of the stages of exploration and commitment in identity development. Narrativity structures life events and gives meaning to a person’s identity-under-construction (see Verhofstadt-Denève [7])

Communicating with Religious Narratives and Practices
Tradition—An Ongoing Narrative
Definition of Bibliodrama
The Method of Bibliodrama
Bibliodrama: A Safe Space—Freedom within Boundaries
Stories in Bibliodrama
Living and Learning through Emotions
Living and Learning through Action
Living and Learning through Topical Matters
Living and Learning in Life Orientation
Types of Bibliodrama
Linking Up with the Participant’s Life World
Exploring the Richness of the Narrative
From Chronos to Kairos
Acting out a Story—Stories in Action
The Communicative Frame of Reference
Giving Way to Existing Frames of Reference
Interreligious Communication
Bibliodrama in Action—Interreligious Identity Construction
River and Sand
The Encounter of River and Sand
Playing with Motives
Identification
Re-Reading the Narrative
On the Stage
Imagination at Work
The Beginning
Sharing Experiences
Examples of Playful Encounters
3.2.10. The Sharing Session—Exchange of Experiences and Feelings
Conclusions
Discussions
Recommendations
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