Abstract

Prophets and prophecy pervade American popular culture, particularly in the genres of fantasy and science fiction. The history of reception of prophetic literature through a dominant Western Christian paradigm has described prophets as liminal characters who perform specific functions in the narrative, often as guides to the central protagonist (e.g., The Matrix Trilogy and The Lord of the Rings). Sagas such as A Song of Ice and Fire and Star Wars often treat prophecies as plot devices dependent on patterns of prediction and fulfillment. Sometimes, however, popular culture itself assumes the prophetic task of speaking truth to power and critiques aspects of the biblical tradition. Some episodes of the reimagined Battlestar Galactica series, for example, critique the tendency to ascribe evil to a femme fatale in a manner similar to how feminist biblical critics have approached misogynistic traditions within the biblical prophets.

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