BIBLICAL METAPHORS IN LEONARD COHEN’S SONG LYRICS

Abstract

This article delves into Leonard Cohen’s use of biblical metaphors, particularly in his song “Hallelujah”. Authored by Dr. Irina Biskub and student Valentyna Tsap from Uzhhorod National University, the study focuses on Cohen’s biography, emphasizing the impact of his love life, religious imagery, and biblical references on his creativity.
 The scientific problem addressed centres on interpreting metaphors in Cohen’s songs, aiming to unveil the intricate tapestry of metaphorical language and deepen understanding of themes like love, redemption, and despair. The research contributes to musical analysis, literature, cultural studies, and theology, fostering interdisciplinary discourse on the convergence of art and spirituality.
 Referencing previous studies exploring Cohen’s use of biblical metaphors, the article distinguishes itself with a profound analysis, emphasizing the importance of metaphors in understanding various facets of Cohen’s work. The authors explore Cohen’s complex love life, highlighting its impact on his music and writing, drawing inspiration from personal experiences.
 The article provides an overview of Cohen’s musical career, emphasizing introspective themes resonating with a dedicated fan base. Cohen’s live performances, known for intimacy and emotional depth, contributed to his legendary status in the music industry.
 The central focus is on Cohen’s “Hallelujah”, analyzing its thematic depth and biblical references. The article explores the song’s historical context, drawing parallels to the Jewish experience and Cohen’s personal struggles with faith. It questions whether “Hallelujah” can be considered a Christian song, considering Cohen’s Jewish background. The analysis suggests that, despite biblical allusions, Cohen’s lyrics may not align strictly with a Christian interpretation.
 Concluding, the article summarizes Cohen’s significant contributions to music and literature, emphasizing the enduring impact on new generations. It calls for further research into the intricate use of biblical motifs in Cohen’s songwriting, exploring implications for understanding spirituality, love, and the human experience in his creative legacy. The text is now condensed to 214 words.