Abstract
ABSTRACT The stylized volute motif is attested throughout the Levant and in areas of Phoenician settlement or cultural influence. Much of the debate of this motif has focused on the volute’s appearance in Israelite monumental architecture (the so-called Proto-Aeolic capital). This article provides a fresh discussion of the motif’s depiction within Phoenician art and iconography through various media, including ivory and sculpture. The architectural versions in stone derive from a much larger repertoire in portable media and in wood, which included inlaying techniques and color patterns not easily transferable into stone. This essay stresses the symbolic meaning of the volute motif and its adaptability by other Mediterranean cultures, from Israel and Cyprus to Iberia. The volute, moreover, has the quality of an otherworldly hybrid entity, strongly associated with hybrid creatures and other stylized vegetal motifs invoking eternal regeneration, which explains the use of the motif in funerary and sacred contexts.
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