Beyond Urban Civilization

Abstract

The genre of travel notes or a traveler's diary is definitely of interest to a wide audience and to field researchers due to the close interweaving of the cognitive and emotional levels of perception of the events observed by the author. The classic works of cultural anthropology are precisely the field notes from which future generations learn. The book under review Appropriation of Space from the series Letters of a Russian Traveler does not pretend to be scientific, but this is its advantage. The author, prose-writer Ilya Kochergin, based the text on his autobiographical experience of travelling in Siberia in the 1990s. He plunges into his memories to bring to life visions of the past. The first part of the book, Sensitivity to Geography, tells the story of his return to Altai, where he once was a forester in the Barguzinsky Nature Reserve. Despite all the measures taken, human intervention is visible in the Reserve. The author questions the very possibility for a city-dweller to experience virgin nature. In the second part, My House, the author takes the reader from the mystical space of the Altai mountains to the construction of a house in a village in the Ryazan region. The collective image here is associated with the interpretation of historical heritage. While the first chapter runs about man and nature, the second is devoted to the city versus the countryside. The third part brings the readers to the natural landscape of the middle zone, to fields, swamps, rivers, and forests. We cannot get back to nature, the cultivated lands are void of life, people, animals… The author observes the world shrink over the past decades: Russian cultural code rife with concepts of grandeur and vastness of the environment has been passed down from generation to generation, yet now it might not be adequate. In modern Russian society, the urban population predominates; in large agglomerations it is difficult to feel the true space and breadth. In the fourth part, Walks in the Water Meadows, I. Kochergin shares a tourist’s view of outdoor recreation on the left bank of the Oka river between Old Ryazan and Kasimov. The image of almost untouched nature relatively close to Moscow causes him boredom, anxiety or even fear. In the wild, different species of animals coexist in the same territory; it belongs to them, and humans are strangers here. In the final part, Inheritance, the author sets off with his teenage son along the route to the Barguzinsky Nature Reserve. A lot has changed in 30 years: transport accessibility, everyday life, and perhaps people. This part poses the key question of the book: “How can you inherit a space that doesn’t seem to belong to you? At times it is completely yours, appropriated and mastered, and at times it is completely alien.” Thus, balancing between involvement and alienation, Ilya Kochergin shares his field experience, shedding light on what is outside the urban civilization.