Beyond the split: re-imagining ‘Belgitude’ in contemporary Belgian cinema

Abstract

ABSTRACT This article analyses how Belgian identity is articulated in contemporary Belgian cinema. Since the introduction of sound, Belgian cinema has been characterised by a divide between Flemish and Belgian francophone cinema. However, the twenty-first century has seen an increase in co-productions between the two communities. By analysing how these intranational co-productions relate to Belgium and Belgian identity, this article explores the textual implications of this industry trend. Drawing upon the concept of ‘Belgitude’, it teases out two ways in which Belgian identity is re-imagined. Some films explicitly thematise community issues by conveying a message of solidarity between Flanders and the French-speaking community of Belgium, while others show characters that embody Belgium’s cultural complexity, using multilingualism and the city of Brussels as implicit markers of Belgian identity. At odds with the country’s political climate of increasing tensions between the linguistic communities, the revival of ‘Belgitude’ in contemporary Belgian cinema can be considered as a reaction against Flemish nationalist discourses.