Abstract
In the 1970s and the 1980s, the role of the prison in modern society was seared into the imagination of the humanities by Michel Foucault’s treatment of the prison in Discipline and Punish: The Birth of the Prison; his genealogy of the modern “soul.” At a time when the social sciences had little to say about the nature of imprisonment as a specific historical practice (rather than a problem of social organization), the humanities helped define the prison as a contemporary problem. During this era, ironically, a new model of imprisonment was arising, one based on the mass imprisonment of whole demographic categories of the population rather than the disciplinary investment of the deviant individual. The scale of imprisonment has arisen by more than five fold. Unfortunately the humanities and cultural studies have been slow to reckon with the nature of mass imprisonment. While a new wave of social science scholarship, partially inspired by the earlier work of the humanities, is engaging the topic, the absence of the humanities, especially their critical and normative edge, is significant.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.