Abstract
Part I. Europe: 1. Ferdinand Hodler (1972) 2. Art in a turbulent era: German and Austrian Expressionism (1978) 3. Emergence of the Avant-Garde: first German autumn Salon of 1913 (1991) 4. Schoenberg and the visual arts (1974) 5. The persistence of Expressionism: the second generation (1989) 6. German realism of the twenties: the artist as social critic (1980) 7. Max Beckmann: the self-portraits (1992) 8. Degenerate Art reconstructed (1991) 9. Revival and survival of Expressionist trends in the art of the GDR (1989) 10. Eduardo Chillida: art in the public domain (1986, 1988) Part II. Atlantic Crossing: 11. Americans abroad (1993) 12. The impact from abroad: foreign guests and visitors in California (1996) 13. Modernism comes to Chicago: the Institute of Design (1996) 14. New images of man (1959) 15. Directions in Kinetic sculpture (1966) Part III. United States: 16. Max Beckmann in America (1984) 17. Sam Francis: Blue Balls (1991) 18. Agnes Denes: the artist as universalist (1992) 19. The flaccid art (1963) 20. Notes on Funk (1967) 21. Llyn Foulkes' work of the 1960s: images of disruption and illusion (1987) 22. Harold Persico Paris (1992) 23. Rupert Garcia: the artist as advocate (1991) 24. Oh Say Can You See? Flags: Johns to Burkhardt (1992) 25. Bedri Baykam: American xenophobia and Expressionist dreams (1986).
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