Abstract

This paper focuses on gendered spaces in which Pierre Rivière carried out the murder of his mother, his sister and his brother. The archival work of Foucault et al. provides multiple accounts of these family murders, including the very evocative memoir written by Pierre Rivière himself in prison. The position and perspectives of the women in that text, particularly those in his immediate family, are obscured, being seen very much through the eyes of men in general, and Pierre and his father specifically. Here we attempt to cut through that obscuration with a reflexive feminist excavation of fragments from this parricide case. We borrow from multiple sources including historical literature on women at that time, changing laws relating to equality and freedom, literary ways of coming to know the perspective of another through writing, magical realist strategies fostered in arts-based social research, and therapeutic strategies for remembering traumatic events. From these Victoire and her daughter are brought to life in a womanist reading that makes Victoire's position both imaginable and supportable. Specific historical material is confined to footnotes, so maintaining its coherence whilst allowing the foregrounding of the various narratives (from the research process, from original testimonies, and from attempts to write into the spaces left by those testimonies).

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