Beyond the chintz: making room to live

Abstract

ABSTRACT Walter Benjamin’s criticisms of dwelling and the modern interior are well known. The middle classes retreated from the alienation of nineteenth-century city life into domestic seclusion, surrounding themselves with soft furnishings in a search for comfort. In Living Rooms (2022), Sam Johnson-Schlee uses objects typically found in the living room or lounge as his starting point for the development of Benjamin’s ideas. Recognising the labour invested in domestic commodities would allow us to realise our dreams of connecting with others and escaping the confines of capitalism like roots breaking out of a plant pot. The personal observations used to support the arguments reflect the experience of Generation Rent. They inform an attempt to relate IKEA’s 1996 ‘Chuck out that chintz!’ advert to crucial changes in the British housing market. The emphasis on labour largely sidelines household labour and its gendering, with the exception of the activities of ‘cleanfluencer’ Mrs. Hinch. The link between domestic commodities and our longing for intimacy is effectively depicted using a combination of historical research, cultural references and family stories. Plants and flowers are used throughout to illustrate specific arguments and to serve as a symbol of a different, and better, life.