Abstract
Contents Acknowledgements Introduction Chapter 1: History as Force Field in Ezra Pound, Louis Zukofsky, and Charles Olson Chapter 2: From Natural to Social Place in Olson and Creeley Chapter 3: Creeley, Duncan, and the Uses of Abstraction Chapter 4: Poetic Authority and Mass Audience during the Vietnam War in Duncan and Levertov Chapter 5: The Problem of Political Poetry and the Polarization of the Field in Levertov and Dorn Conclusion Index
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