Abstract
This article explores the linkages between Serres’ Le Parasite and the research practice of creative intervention via the analysis of an experimental film produced for the 2022 Space and Culture Conference on Taking Place and Making Place. The experimental film is intended as a provocation, in that it seeks to exceed the forms of conventional scholarship. In an effort to invent new modes of thought production, documented research materials of local sites are combined with a range of ideas and theories, blurring boundaries between theory, poetry, and practice, the dystopia of the virtualization of everyday life and the figuration of possible realities, glimpsed from a local viewpoint which follows the fluxes of emergences.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
