Abstract
Abstract The author connects reviving her piano practice after a 20-year hiatus with her deaf right ear “learning” to hear again with a cochlear implant. She touches upon parallels between the physiology of the instrument and her own body, and how they inform the inquiry for her Leonardo CripTech Incubator/Thoughtworks Arts residency project Song Without Words.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have