Abstract
A relationship between Saul Friedländer’s autobiographical text When Memory Comes and his historical magnus opus Nazi Germany and the Jews has been suggested by Stéphane Bou. This article develops this suggestion, focusing on the narrative choices Friedländer made in his major historical work. An analysis of the use of estrangement and fragmentary evidence unveils their cognitive implications.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
