Abstract
The genre of modern biographical drama is characterized by almost all types of “research biographies” (according to P. Kendell's classification): ironic biography (Thea Dorn, E. Narshi); meaningful and critical biography (R. Veretelnik); “standard” biography (T. Ivashchenko, V. Ognenovich, Nika Simonova); subjectively-interpreted biography (A. Ostermeier, Dea Loher); fictionalized biography (Thea Dorn); pseudobiography (E. Narshi). Among the genre and style innovations of the “biographical drama”, first of all, it is necessary to note the intergeneric approach (plays by T. Ivashchenko, Thea Dorn), as well as the interdisciplinary one – the destruction of barriers between the arts, word, dance, music, video art, visual arts, new media art and ballet (dramas by R. Veretelnik, Nika Simonova, Dea Loer).
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