Abstract

Betty Bernhard’s legacy in Asian theatre is due primarily to her extraordinary insight into discovering and promoting aspects of Indian performance—including Gujarati folk drama and issues of gender/sexuality—that were traditionally marginalized or overlooked; to her fundraising prowess and advocacy on behalf of Indian artists and colleagues, enabling international travel to pursue their own research and/or attend otherwise unavailable conferences and workshops; to working with those artists in training students for classic Sanskrit play productions at Pomona College; and to her own research resulting in seven crucial films/videos as well as both scholarly and practical presentations at international conferences. These efforts marked her as an important influencer well before that concept became a social media meme.

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