Abstract

Both environmental historians and ecocriticism scholars are in the business of simultaneously analysing the stories we tell about the human-nature relationship and creating those stories. Using the case of Kiki, an Aldabra giant tortoise on display in the Muséum national d’Historie naturelle in Paris, I present three potential text types in museum displays which lend themselves to new ecocritical readings: museum labels, biographical displays, and material remains. Ecocritical approaches to the genres of scientific texts and animal biographies and the developing field of material ecocriticism prove useful for making sense of the complex narratives of environmental history. Reaching out to ecocriticism approaches can make the stories I tell as an environmental historian better.

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