Abstract

The 1980s were a time of big hair, big cars, big phones, and big panics. Yet no panic has ever come close to the hysteria generated by the ‘Satanic Panic’. It was an episode which encompassed an entire decade, spilling into the 1990s as well as into further child-centric narratives of harm such as the 1980s video nasty controversy in the UK. Beginning with the McMartin preschool trial in California in 1983, the satanic panic was a fear that America, or at the very least its white suburban middle class, was under a subversive form of attack from satanic forces. In a perfect storm of disparate cultural elements, satanic panic gained momentum in the wake of the McMartin ritual abuse allegations. Not unsurprisingly, all claims were unfounded and eventually quashed, but not before the ritual abuse cases and their alleged victims were paraded in the news media. This was indeed a real-life horror story and throughout this article, by reading the panic as a Gothic tale of excess, I wish to introduce a liminal narrative composed of hysteria, lies and media sensationalism henceforth known as ‘the myth of harm’. A complex composite of various social narratives, the myth of harm functions as both a vehicle for the articulation of our fears, while simultaneously capable of mobilising and often weaponising them, especially when those fears are directed towards children.

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