Abstract

This article invites the reader to consider Bernard Heidsieck’s poetical work through the “public space-laboratory”. It focuses on the relational dynamics of this notion and analyzes Heidsieck’s poetical investigations in regard to the collection of materials as well as the experience of public reading. This analysis is based on the works of Tim Ingold, Bruno Latour and Arne Naess, whose theories develop ecological approaches regarding the formation process of objects and collectives.

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