Abstract
This article outlines intersections between Albert Friedlander and two other Berliners of the 1920s: the Sass brothers, Berlin’s most daring and beloved crooks, and the Jewish crime writer Walter Serner. It attempts to read their stories as ‘prayers’ or ‘poetry’ in Friedlander’s sense.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have