Abstract
In this article, I reflect upon the issues of beholding participatory multisensory works within the ocularcentric world of the art gallery. The sonic and haptic engagement demanded by my pieces confronts conventions of behaviour in the reception of so-called 'visual art', particularly the kind of aesthetic distancing expected of the autonomous artwork. While such notions of autonomy have been challenged since the 1960s, the curatorial challenges posed by my work reminds us of how far we have to go to cater for a truly inclusive and embodied experience of art.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
