Abstract
The article is devoted to a special, emphasized experimental trend in modern Belarusian drama, controversial in aesthetic terms, but extremely indicative as an intention of literary development, which will save Belarusian literature with the experience of the world (post)avant-garde art. A new approach to the consciously unconventional texts that implemented it is proposed, which provides for taking into account the aesthetic concept of the artistic movement «Boom-Bam-lit» (mid-1990s), in the course of which the formation of author's intimidualities took place, as well as the main trend in the development of world drama and theater, marked by a performative-receptive turn.
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