Abstract

‘Being Soviet’ takes a refreshing and innovative approach to the crucial years between 1939 and 1953 in the USSR. It addresses two of the key recent debates concerning Stalinism. It answers the question ‘what was the logic and language of Soviet power?’ by shifting the focus away from Russian nationalism and onto Soviet identity. ‘Sovietness’ is explored via the newspapers, films, plays, and popular music of the era. Soviet identity, in relation to the outside world, provided a powerful frame of reference in the late‐Stalin years. ‘Being Soviet's’ most significant contribution lies in its novel answer to the question ‘How did ordinary citizens relate to Soviet power?’ It avoids the current Foucault‐inspired emphasis on ‘supporters’ and ‘resistors’ of the regime. Instead it argues that most Soviet citizens did not fit easily into either category. Their relationship with Soviet power was defined by a series of subtle ‘tactics of the habitat’ (Kotkin) that enabled them to stay fed, informed, and entertained in these difficult times. ‘Being Soviet’ offers a rich and textured discussion of those everyday survival strategies including rumours, jokes, hairstyles, music tastes, sexual relationships, and political campaigning. Each chapter finishes by exploring what this everyday behaviour tells us about the collective mentalité of Stalin‐era society. ‘Being Soviet’ focuses on the place of Britain and America within Soviet identity; their evolution from wartime allies to Cold War enemies played a vital role in redefining what it meant to be Soviet in Stalin's last years.

Full Text
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