Begging the questions: producing Shakespeare for post‐apartheid South African schools

Abstract

This paper examines some of the ways ‘Shakespeare’ is functioning in the post‐apartheid education system. It is not based on education or textbook theory. Rather, it seeks to test some of the assertions of new historicist and cultural materialist theories by analysing the ideological work performed by editions of Macbeth produced for post‐apartheid schools. It asks questions about Shakespeare in the South African school classroom, and about the relationship of work produced in universities to the broader educational, and cultural, context.