Abstract
AbstractFifty years ago, the infamous bank robbery and ensuing hostage crisis that took place in a Stockholm bank gave rise to the so-called ‘Stockholm syndrome’. Though never recognized as a valid medical diagnosis, the (allegedly) pathological relationship between kidnapper and hostage has become an omnipresent media phenomenon that inspires movies and television series to this day. However, this forced bond was not always seen as problematic. The years between 1860 and 1910 witnessed the rise of kidnappings in the Mediterranean world (Southern Italy, Greece, the Ottoman Balkan region, and Morocco) involving English, American, and European hostages. Today, we know about these incidents from autobiographical narratives by the former captives. They painted a surprisingly favourable picture of their captors – and found enthusiastic audiences for their stories. Looking at the interplay of feelings, coercion, and empowerment, the article opens up a new perspective on the history of emotions that brings both victims and perpetrators into the picture.
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