Abstract

This article considers Hari Kunzru’s 2005 novel, Transmission, and its critique of the attributes and assumptions of globalized neoliberal culture, such as an unequivocally positive view of the value of global mobility, and increased diversity of global job opportunities. Through the metaphorical use of a computer virus, Kunzru complicates widespread representations of “privileged” cosmopolitan subjects as divorced from material place and preoccupied with consumerist pleasures, and imagines a new model for global interconnectedness. I argue that, through this criticism and metaphor, Kunzru posits the need for, and the beginnings of citizenship practices centered around, what might be termed a viral cosmopolitanism, that constantly evolves as it moves throughout the world, becoming more heterogeneous, rather than homogenous, through its various points of global contact.

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