Abstract
AbstractWalther von Stolzing's songs inDie Meistersinger von Nürnberghave not attracted much critical interest, in part because of their deceptive appearance as straightforward diegetic music or stage songs. But in addition to comprising an extended ‘musical joke’ illustrating the hero's desire-driven progress towards musical competence, these songs also pursue a historicising agenda, replacing the Meistersingers' pre-modern rule-driven poetics of imitation with a modern aesthetics of inspiration.
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