Abstract
The High Court judgment in Beckingham v. Hodgens , delivered in July but as yet unreported, revisits the issue of the backing musician’s entitlement to a share of the copyright in a song on which he has played. The decision seems to put the law in this area back on the right path, from which it had strayed in Hadley & Others v. Kemp (the Spandau Ballet case) [1999] EMLR 589. It also demonstrates the continuing divergence between conventions in the music industry and the law in relation to music copyright.
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