Abstract
In , the ritualistic movements of M1 culminate in his conjuring of a woman who quotes from “The Tower,” the poem in which W. B. Yeats, who was profoundly influenced by Japanese noh theatre, evokes a number of ghosts. In this study, I demonstrate that Beckett was influenced in his writing of both by the highly stylised noh – the noh of dreams and phantoms – and Yeats's experience of noh.
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