Abstract

Derval Tubridy's Beckett and the Language of Subjectivity examines Beckett's treatment of language and embodied experience as constitutive features of subjectivity and as material extensions of the Self. The book is at its strongest where it focuses on figures at an impasse between embodiment and disembodiment, highlighting the translations of this theme from Beckett's drama to his prose and from his prose to his drama.

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