Abstract
A foundational myth of the clarity and precision of French prose, the theory of French word order "l'ordre naturel" grew out of Aristotelian grammars and sought its justification in Cartesian metaphysics, epistemology and physiology. Ironically, Beckett's "narrator/narrated" of uses a tattered syntax to insist that his discourse is a recitation in "the natural order" (l'ordre naturel) of the voice in his head, "the other above in the light" (l'autre dans la lumière). The aspirations of the "I" below to imitate his mysterious "ancient voice" interlace with the text's allusions to Enlightenment philosophy of mind and language, producing its unique, albeit debilitated, "geometric method."
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