Abstract
I add a developmental perspective to the picture Roth and Freedgood have elaborated regarding the significance of surfaces. With Roth's attent ion to the analytic couple and adult intersubjective interaction, I include the mother–infant dyad—what I have written about, following Winnicott, as the “nursing couple.” I now employ Meltzer's evocative concept regarding the aesthetic impact of the mother. From this perspective regarding the early maternal relation, I then address the anxieties that Freedgood, especially, highlights in relation to culture and gender. I emphasize that we communicate to and with a maternal object that is herself a complex object both in her surface and in her interior. I contend that jewelry is a concrete representation of the mother's most interesting bodily surface.
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