Abstract
ABSTRACT Wonder Woman (2017) has been one of the most lucrative entries in the recent superhero film canon. With a female lead and director, it has also proven a rich text for feminist analysis. Here, the film’s engagement with questions of gender, aesthetic judgment and disability is explored through the lens of feminist geopolitics, and connected to the alignment between immorality and disfigurement in Hollywood more broadly. It is suggested that aesthetic value is used in the film as a key organizing principle for spatial and geopolitical claims. Through this analysis, the paper suggests the potential for further studies of disability, including disfigurement, in popular geopolitics.
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