Abstract
A new cognitive model is proposed and applied to the analysis of the anthropomorphic-dominated paleoimagery or rock art of both the Archaic Barrier Canyon Style and the Basketmaker San Juan Style of the Colorado Plateau, including the attributes of headdresses and messengers. Under the cognitive model, the decision to execute rock art is culturally and historically conditioned; the interaction of narrative language and visual imagery takes precedence over hallucinatory and trance mechanisms. The cognitive model examines the interplay between perceptual imagery and stored mental imagery, both of which occur within the human cognitive system. Such an interplay arguably has been as important in the shaping of human cultures as the role of language. These Archaic and Basketmaker ecologies and cultures also may have developed group ritual, an early adoption not requisitely tied to the transition from a mobile hunter-gatherer ecology to an agricultural ecology. Such interpretations redefine the predominant images of the region's Archaic and Basketmaker anthropomorphic figures, bird-headed imagery, messenger spirits, supplication panels, and processional panels. The model reinstates the praejudico role that visual imagery plays in the construction of culture.
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