Abstract

* Acknowledgments * Introduction. Spatial Practice and Place-Consciousness in Chicano Urban Culture * One. Creative Destruction: Founding Anglo Los Angeles on the Ruins of El Pueblo * Two. From Military-Industrial Complex to Urban-Industrial Complex: Promoting and Protesting the Supercity * Three. Phantoms in Urban Exile: Critical Soundings from Los Angeles' Expressway Generation * Four. Art against Social Death: Symbolic and Material Spaces of Chicano Cultural Re-creation * Five. Between Nationalism and Women's Standpoint: Lorna Dee Cervantes' Freeway Poems * Epilogue. Return to the Source * Notes * Works Cited * Permissions * Acknowledgments * Index

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