Abstract
ABSTRACT: In Ursprung des deutschen Trauerspiels ( The Origin of German Tragic Drama , 1928), Walter Benjamin illustrates his argument on baroque sovereignty, which responds to Carl Schmitt's political theology, with a fragment from Diego Saavedra Fajardo's Empresas políticas . The quotation has hitherto been overlooked in scholarly discussions, which have often sidelined the role played by the seventeenth-century texts that represent the actual subject of Ursprung , and especially those texts from the Spanish baroque. The aim of this article is to reconsider Benjamin's interpretation of baroque political theory, and thus his critique of Schmitt, by engaging with the work of Saavedra Fajardo.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
