Abstract

This bar is situated inside the «Coliseo» building, which houses a cinema, as well as a number of commercial establishments. In order not to break the unity of the total project, no attempt has been made to alter the exterior aspect of the bar. No attempt was made, either, to make it into an intimate, club type of bar, now so much in fashion. Rather has it been given a diaphanous style, seeking the best possible use of the floor space. The windows of the building are elongated, and there is an intermediate floor level, whose detailed structure is metallic. A cleverly designed staircase, of folded sheet metal connects the ground floor, the intermediate floor level and the restaurant. Materials were carefully chosen in accordance with their function. The colour scheme has a sustained unity throughout the building, and care has been taken to avoid surprising or vivid chromatic patterns. Ceramic enamels by the painter Santiago del Campo provide a feature of decoration on the ground floor, and also serve to cover up the return air ducts. On the top floor, the restaurant is fitted with coloured tile facings, the work of the Seville painters Maria Josefa Sanchez, Maria Dolores Sanchez and Emilio Garcia Ortiz. The bottom joints of the timber beams, in conjunction with the tile patterns, is reminiscent of the traditional Sevillian habit of placing ceramic units between the timber framework of buildings. The initial problem of the architect was to combine the optimum functional efficiency and aesthetic quality of the project, and the final solution is undoubtedly successful.

Highlights

  • Se rasgaron los huecos de fachada con objeto de aumentar sus luces, y se construyó una planta intermedia a base de elementos metálicos

  • The restaurant is fitted with coloured tile facings

  • © Consejo Superior de Investigaciones Científicas Licencia Creative Commons 3.0 España (by-nc) http://informesdelaconstruccion.revistas.csic.es

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Summary

Introduction

Se rasgaron los huecos de fachada con objeto de aumentar sus luces, y se construyó una planta intermedia a base de elementos metálicos. El establecimiento está situado dentro del edificio «Coliseo», complejo formado por u n a sala de cine, y con la parte lateral destinada a locales comerciales. En planta baja hay unos esmaltes cerámicos, obra del pintor Santiago del Campo, que, además de cumplir su misión especifica de decoración, ocultan las tomas en el conducto de aspiración de aire viciado.

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