Abstract
This paper investigates the relationship between the 2004 film Iron Jawed Angels and the historic events and figures it purports to represent. As a major film on the national womenâs suffrage movement in the US, Iron Jawed Angels had great potential in terms of educating viewers on the lives and accomplishments of Americaâs suffragists. However, this paper argues that in modifying the character and story of activist Alice Paul to appeal to female, conservative, and American audiences, the movie diminishes Paulâs achievements and assumes that female spectators require the tropes of a âchick flickâ to sustain their interest.
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