Ballet and the Renegotiation of Identity among Jewish Orthodox Women in Israel

Abstract

This article explores how competing images of Jewish corporeality and gendered identity are emerging in Israel through classical ballet by religious girls and women. It traces the cultural, political, and religious implications of this in the context of masculine Zionist ideals of the valorization of the corporeal. Focusing on a group of pioneering Israeli women it traces how they have reshaped the study of ballet into a liberatory yet modest practice for Orthodox women across a range of Israeli religious communities. The revolutionary efforts that linked the founding of the state of Israel with a new body are viewed through a revised feminist perspective, one within the paradigm of a religious counterrevolution. Just as the laboring body of the secular folk dancer of the Yishuv has stood for socialism, egalitarianism, and muscular Judaism while relegating the religious body to the sidelines, it is possible now to read an image of the return of the religious, via the feminized body of classical ballet, as emblematic of the new Jewish woman of Orthodox communities. I argue that through the study of ballet a politics of piety is operating among Orthodox Jewish women making it a medium through which they are changing assumptions about agency, patriarchal norms, and nationalist politics.