Abstract

James Baldwin’s Giovanni’s Room participates in a cross-racial call and response with Ernest Hemingway’s The Sun Also Rises, illuminating both shared cultural influences and differences of race and sexuality. David’s struggle between the social force of compulsory heterosexuality and the personal force of individual desire plays out on a broader structural level as Baldwin’s gay plot is drawn toward the magnetically forceful heterosexual love triangle in Hemingway’s tale. Hemingway and Baldwin address gender normativity and sexual inadequacy from a particular American perspective that must grapple with an unattainable vision of the normal and with the crippling American myth of self-determination.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.