Abstract

Because The Ring and the Book is such a towering imaginative achievement, readers and critics alike have slighted those poems which Browning wrote and published soon after 1868. This is especially true of Balaustion's Adventure (1871), the poet's next work after The Ringand the Book. Largely given over to a retelling of Euripides' Alkestis, it has perplexed most critics, many of them wondering whether it should be considered as anything more than a mere transla tion. Browning himself made few claims for it. In the dedication to the Countess Cowper he re ferred to it as a task that “proved the most delightful of May-month amusements,”1 and to Isabella Blagden he spoke of it as “my little new Poem,—done in a month,—and I think a pretty thing in its way.”2 Calling it “Exhaustion's Impos ture,” Rossetti found “the structure of the work beyond all conception perverse” and the Euripidean Alkestis “interlarded with Browningian analysis to an extent beyond all reason or relation to things by any possibility Greek in any way.”3 Swinburne, discovering “fine things in it,” thought that “the pathos of the subject is too simple and downright for Browning's analytic method.”4 Later commentators have likewise been worried by the question of its faithfulness to the Greek spirit.6 The purpose of this essay is to suggest that such a consideration is largely irrelevant to an estimation of the poem which both William Clyde DeVane and Robert Langbaum claim belongs with the works of Browning's best period.6

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