Abstract
Este artigo tem como objeto de análise o filme “Amarelo manga” (2003), dirigido por Cláudio Assis, que vai ao encontro dos conceitos de carnavalização e grotesco, explorados por Mikhail Bakhtin, Kayser, Beth Brait, Sodré e Paiva, dentre outros. Literatura e cinema (con)fundem-se como teoria e sua vívida representação.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
